Category Archives: Uncategorized

How to get writing by getting nasty

What links Tom Waits, suicide and the Klu Klux Klan? They’ve all come up in a recent podcast I was listening to about creativity, writing and the mental games we play.

The more I write, the more I realise that my creative life depends on how I handle my mental game – how I use that highly complex lump of grey matter in my head.

Everyone gets stuck, everyone procrastinates at times, everyone has days when writing comes easily, and days when it doesn’t. The key to unlocking that creative flow is how you handle those issues.

The podcast I was listening to came from the excellent people at Radio Lab, I do recommend them. Titled Help! it looked at various ways that different people have tried to get to grips with that arch-enemy that always seems to be sabotaging our best efforts – ourselves.

Nice or nasty?

And this is where the nasties came in. Because it turns out that while being nice to ourselves may well be a useful way to persuade our mind to get down to work – sometimes it needs a bit of a fright too.

Stuck writing his first book, Oliver Sacks, the neurologist, became so frustrated with his lack of progress he made a serious pact with himself that he would kill himself if he didn’t finish the draft.

Would he have gone through with it? Even he doesn’t know. But what happened was that suddenly his writing mind shifted into gear and words started to flow. The start of a long writing career.

One woman, not a writer this time, found she could only give up smoking if she pledged in front of a friend that she’d donate $5,000 to the Klu Klux Klan if she ever smoked again. The horrific thought of having to go through with her promise succeeded where years of trying had failed.

Could you imagine making such a commitment to writing your next script? Or novel? How successful might you be?

Mind you, I’m not sure that nasty is always the way. Tom Waits was also quoted, saying that every song needs a different approach to getting it to reveal itself in full. Some need to be coaxed and cajoled, others seduced, tempted out and persuaded.

And – yes – some need to be bullied too.

That’s the thing about being a professional. When it comes to getting the work done – you need to be ready to commit to whatever it takes.

Charles Harris is running masterclasses in pitching and how to use your brain for writing success at the London Screenwriters’ Festival from October 27, and Unblock Your Creativity on November 12 2011. Details of both at www.euroscript.co.uk

How to be Visible

You’ve finished your big “this will make your fortune” script and you start sending query letters to agents, producers, production companies, commissioning editors, all the biggest names you can find and…

Well, maybe they aren’t interested in reading, maybe they don’t even reply, or they send you a bland nothing of a letter with one of those boiler-plate excuses, like they’re too busy to take on more work.

What’s to do?

Well, one thing you need to do is make them interested in you.

Of course, that’s easy if you have a strong CV, but what if you have no credits, no track record, and aren’t the son of a Booker-prize-winning novelist?

You have to get clever.

What can you do to enhance your side of the equation? Nowadays there are many options, especially with the Internet. With Twitter, blogs and social media many writers are establishing strong credentials for themselves, and a ready-made audience.

Blogs are particularly good for this.If you have an expertise that is close to the subject of your script (a deep knowledge of (say) Taiwanese crime, pedigree terrier breeding, Iyengar Yoga or 17th century Japanese porcelain) then start a blog. Or a Facebook page. It proves you can write for an audience. Some blogs have become so popular that they’ve been sold as books, films and TV dramas in their own right.

Competitions can also be excellent ways of establishing yourself. Everyone loves a winner. It adds enormously to your approach if you can say that you have been shortlisted for an award, or even won.

Check what you sign up for – some will ask you to pass some or all of your rights over to the competition owner which is absolutely to be avoided (with Euroscript competitions you always get to keep all your rights). And ensure they are professional and are offering something concrete (rather than a vague offer to “consider” your script for production).

There are many different competitions out there and a number of websites that will update you with the latest deadlines. We highlight some of the best on our website from time to time, and we offer a competition ourselves.

Once a year at Euroscript we run the prestigious Screen Story Competition, which awards the winners with up to £1,000 worth of development help to ensure that you can make sure that script is the best you can possibly deliver. You keep all the rights and every entry receives a 2-3 page bullet point report on the submitted treatment.

DEADLINE: 31st March 2011

FEE TO ENTER: £35 per treatment.

If you’re interested click here – and start getting seen.